Welcome to Contemporary Writings by Satis Shroff (Freiburg)

Hi Everybody! Writing is something wonderful, whether you write poems or prose (short-stories, fiction, non-fiction) and it's great to express yourself and let the reader delve into your writings and share the emotions that you have experienced through the use of verbs, the muscles of a story, as my Creative Writing Prof Bruce Dobler at the University of Freiburg, Germany) used to say. I'd like to share my Contemporary Writings with YOU! Happy reading.

Sincerely,

Satis Shroff

Friday, August 31, 2007

The Loss of Mental Metamorphosis (Satis Shroff)



The Loss of Mental Metamorphosis (Satis Shroff)

Eight Indians on the run,
Fifty Neonazis behind them.
'Deutschland den Deutschen,
Ausländer raus!
Hier regiert der nationale Widerstand!'
Roars from the throats of the Neos,
Beer in their blood,
Defiance in their sanguine eyes.

The puls races,
Adrenalin surges in the veins:
Fight or flight.
Naked angst.
Hyperventilation,
Tachycardy.
No one helps,
They just look on,
Like Bertold Brecht would say.
As the Jews were beated and transported,
To Auschwitz, Gürs or alsewhere.
The Indians run as fast
As their legs can carry them.
'Jaldi bhago!
Zindagi bachau!

The bald headed, overfed, pink Neos
Overrun the scared Indians.
What follows is the bashing
Of the underdogs in the German society.
Of migrants who love Deutschland.
Their only crime,
The colour of their complexion.
The police of Saxony's Mügeln come,
But are hesistant about the xenophobia
That has broken out.
The rightists agitate conspiratively,
Said the Verfassungsschutz in 2006.

In Mügeln
Akin to Hoyerswerda and Mölln.
The ethnic Germans peer and look away
At the brutality and intolerance
Unfurling before their eyes.
The teuro, the joblessness in the East
Has made them indifferent and complacent.

Give us more money to integrate the Neos,
In families, schools, communities,
Say some politicians.
Federalism and democracy is not inaction,
Where intolerance and racism rears its ugly head.
It happens from Mügeln to Mainz.
Anti-discrimination laws alone
Help neither the Wessies nor the Ossies.
A mental metamorphosis is in demand.
Have we Germans learned from history?
Haben wir, die Bürger, aus der Geschichte gelernt?
Alas, we've become complacent again.

Germany, Austria and Switzerland
Are striving for an European cultural identity,
Where foreign traditions and culture
Are the essence of togetherness,
Of Miteinander.
The enclaves of intolerance should remain
Ghosts of the past.
Liberalism, democracy, civilisation and society
Should be the order of the day.
Mental changes in our thinking processes,
Not mental molotovs,
Should be the cry of the day.


MENTAL MOLOTOVS (Satis Shroff)

When Hoyerswerda burns
They discuss about the asylum-seekers.
Peaceful, righteous Germans go
In the streets with candles.

When a house burns in Mölln
They discuss about bringing back
Soldiers from the dangers of Somalia.

At the Turkish funeral in Solingen
The Chancellor keeps away
And avoids thus
Rotten eggs and tomatoes
That might come his way.

When the trial comes
The former skinhead neonazi
Has a lot of hair.
He wears a two-piece suit,
Ties a tie around his neck
And looks oh-so-respectable.
He peers into the cameras
With clear blue eyes and says:
"I'm innocent and a victim
Of the modern industrial society."
And withdraws his statement.

The judges are lenient,
And the neo gets off on bail,
Gestures with his middle finger
And quips: "Leck mich am Arsch!"
As he speeds away in a car
Only to reappear with a Molotov
Like the Sphinx again.

"Ausländer Raus!
Deutschland den Deutschen!"
These are the slogans
Still making the rounds in 2006.

The old black and white flag
From the Third Reich
Raises no eyebrows
At soccer stadiums, streets and pubs.

It's fashionable again
To throw mental Molotovs
At blacks, browns, yellows,
And all non-Teutonics
At cocktails, chats
Stammtisch and in the streets
Against anything alien.

‘I don't like foreigners
I'll kill you,’ says a drunk
In broad daylight at the local Bahnhof.
Bharati Mukerjee a New Yorker writer
Once asked me in Freiburg:

'How does it feel
To be a non-Teutonic
In Germany?'
----------------------------------------------------------------------------------------

THE AGONY OF WAR (Satis Shroff)

Once upon a time there was a seventeen year old boy
Who lived in the Polish city of Danzig.
He was ordered to join the Waffen-SS,
Hitler’s elite division.
Oh, what an honour for a seventeen year old,
Almost a privilege to join the Waffen-SS.
The boy said, “Wir wurden von früh bis spät
Geschliffen und sollten
Zur Sau gemacht werden.”

A Russian grenade shrapnel brought his role
In the war to an abrupt end.
That was on April 20, 1945.
In the same evening,
He was brought to Meissen,
Where he came to know about his Vaterland’s defeat.
The war was lost long ago.
He realised how an ordinary soldier
Became helpless after being used as a tool in the war,
Following orders that didn’t demand heroism
In the brutal reality of war.

It was a streak of luck,
And his inability to ride a bicycle,
That saved his skin
At the Russian-held village of Niederlausitz.
His comrades rode the bicycle,
And he was obliged to give them fire-support
With a maschine-gun.
His seven comrades and the officer
Were slain by the Russians.
The only survivor was a boy
Of seventeen.
He abandoned his light maschine-gun,
And left the house of the bicycle-seller,
Through the backyard garden
With its creaky gate.

What were the chances in the days of the Third Reich
For a 17 year old boy named Günter Grass
To understand the world?
The BBC was a feindliche radio,
And Goebbels’ propaganda maschinery
Was in full swing.
There was no time to reflect in those days.
Fürcht und Elend im Dritten Reich,
Wrote Bertold Brecht later.
Why did he wait till he was almost eighty?
Why did he torment his soul all these years?
Why didn’t he tell the bitter truth,
About his tragi-comical role in the war
With the Waffen-SS?
He was a Hitlerjunge,
A young Nazi.
Faithful till the end.
A boy who was seduced by the Waffen-SS.
His excuse:
„Ich habe mich verführen lassen.“

The reality of the war brought
Endless death and suffering.
He felt the fear in his bones,
His eyes were opened at last.

Günter Grass is a figure,
You think you know well.
Yet he’s aloof
And you hardly know him,
This literary titan.
He breathes literature
And political engagement.
In his new book:
Beim Häuten der Zwiebeln
He confides he has lived from page to page,
And from book to book.

Is he a Dr. Jekyll and Mr. Hyde?
Doctor Faustus and Mephistopheles,
In the same breast?
Grass belongs to us,
For he has spent the time with us.
It was his personal weakness
Not to tell earlier.
He’s a playwright, director and actor
Of his own creativeness,
And tells his own tale.
His characters Oskar and Mahlke weren’t holy Joes.
It was his way of indirectly showing
What went inside him.
Ach, his true confession took time.
It was like peeling an onion with tears,
One layer after the other.
Better late than never.

******

Thursday, August 30, 2007

Shakespeare Country and London's East End (Satis Shroff)

Shakespeare Country and London's East End (Satis Shroff, Freiburg)

Stratford-upon-Avon is a fascinating little town. We went to the spacious farmhouse which was the early home of William Shakespeare's wife: Anne Hathaway. It was a house made of wattle, stone and brick, the earliest part dating back to the 15th century. I had done a lot of Shakespeare at school and even performed ‘As you like it’ on stage, but Shakespeare’s spouse was not a theme then. However, there are scholars who have depicted her as a woman who reproached the Bard, and that she nagged, railed and even drove him away from her life, like Old Abe's nagging, dissatisfied wife, or for that matter Tolstoy's spouse.

Anyway, in Anne Hathaway's cottage garden, there were some local workmen busy repairing the stones, bricks between clipped box hedges and shrubs. You could only imagine that Shakespeare had once written about this very garden as: 'a world of pleasure in't. Here's flowers for you. Hot lavender, mints, savory, marjoram.'
Who wouldn't be moved and impressed by the Bard's sonnets), especially the ultimate statement of the doctrine of marriage as a spiritual discipline as depicted in Sonnet 116:

Love's not time's fool, though rosy
lips and cheeks
Within his bending sickle's compass
come.
Love alters not with his brief hours
and weeks,
But bears it out even to the edge of
doom.
If this be error and upon me
proved,
I never lived, nor no man (one) ever
loved.

But alas, it being still winter we could only hope and ask what Shelley would have asked:..'can Spring be far behind ?'

Nevertheless, I found delight at the thought that this was where William had wooed, and won, his beloved Anne Hathaway. The thatch-roofed cottage had a bed with a canopy, because 'if you slept with your mouth open, all sorts of insects, reptiles, mice and squirrels would drop in', we were told.

Off we went, curious as we were, to the Bard's house in the Henley Street, where he was born in 1564. How wonderful it was to be in Shakespeare's house, I thought. The birth­place was inherited by him and remained in the family, until the death of his sister Joan Hart, 1646. It was purchased for the British Nation for 3,000 pounds in 1847.

Life in Stratford was dull and boring, and Shakespeare left for London in 1586. He wrote 37 plays and 50 sonnets, which are still presented throughout the globe. His first play to be published was "Love's Labor's Lost" written in 1594. I found Stratford-upon-Avon extremely touristic but doubtlessly picturesque in its own right. Avon is the Celtic word for 'river', so if you said the Avon River, it would be obviously redundant. We undertook a quick march to the vicinity of the Holy Trinity church, where Shakespeare was buried, and took some photographs of the serene Avon and the church, before making it to Stratford town, to view the home of the Bard's favourite daughter Susanna and her husband Dr. John Hall. Hall's Croft was a fine Tudor half-timbered house, with fine Elizabethan and Jacobean furniture.

Shakespeare retired to Stratford in 1610 and lived at New Place, the second largest house in Stratford, which he purchased in 1597. We were told that the ambassadors of all nations pay their floral tributes on the grave of immortal Shakespeare on his Birthday celebrations even today.

"Even in winter it's full and there are long queues all over the place," said the guide.

We had to head for the town of Warwick to the north to get the car-route, so we told our London guide that we wanted to get off at East End. Her eyes popped out, and her eyebrows left off like two Harrier jets, her mouth opened and she asked, "East End? What on earth do you want to do at East End?"

We gulped because she'd said it so loud. She gave the impression that decent people didn't go to London’s East End. But we'd already made their our minds to go for dinner to 'little Calcutta', and she had to oblige.

We sped past a part of the 650 square miles of London area which had houses with chimneys, without smoke. Most of them managed to snooze along the way to London. You could see semi-detached houses and terraced houses, joined in rows.

We had a Bengali dinner in Jack the Ripper territory with pilau rice, peas, aloo, mutton, yoghurt, raw onions and masala everywhere, rounded up with sweet-meat: rasagollas, rasmalai just like in the Indian Subcontinent. The annual turnover of ‘Indian’, pardon me Bangladeshi, restaurants is more than 1.5 billion Sterling pounds, and they employ between 60,000 and 70,000 people.

After that I suddenly wanted to catch up on my Bollywood (Bombay as India’s Hollywood) film reading, which I'd had neglected since a long time, and bought: Asian Times, Indiamail, Cineblitz and some classical music. Claudia has developed a deep love for Indian and Nepali classical music because they possess an exhalted psychic and religious nature, and she can feel the music touching her deeply like a prayer, and she undergoes a lot of emotions whenever she hears classical music. I feel the same way.

After all, the music from the Hindustani subcontinent was over 4000 years old. It all began with the Sama Veda, which was recited with certain notes. Originally such recitations were performed with three notes, and later developed into a whole octave.

Music became a prayer. Humans tend to be in communion with God when we hear or play real music, and the musician identifies himself or herself with Godliness. And there are musicians who are able to awake and imbibe this godliness in their listeners. I loved to listen to the ragas and the talas. In a raga there are 72 scales, and every scale has 8, 10, 20, 30 ragas. Thousands of ragas are possible, and each of these ragas has its characteristics with ascending and descending scales. These ragas depend upon the time of day and season. And a classical musician improvised the instrumental raga compositions, with the result that the music is never the same. It's always changing, metamorphosing into something new.

Claudia and I prefer listening to such music rather than the noisy, vulgar music-cocktails that are actually lifted from the western hit charts, for want of inspiration, and dubbed in Hindi, giving them a cacophonous Indian slant. But the masses love them. ‘Hare Krishna, you are the greatest musician of this vurld’ was blaring from a cassette-recorder in a corner of the stuffy Asian shop. You could even buy, chew and spit your pan without causing eye-brows to be raised at the East End, not that we did it. It was a pucca bazaar with all the wallahs.

Claudia expressed her disgust in German with ‘Igit-igit!’ as a Bengali spat on the wall of an East Londoner Brick Lane house. A scarlet blotch on a creamy reddish house-wall.

I quipped, ‘Well, as long as the bloke doesn’t spit at us, it’s all right.’

It was dark by the time we went for a walk over the bridge across the Thames at Westmin­ster, which was floodlit, and there was a laser show in progress on the other side of the bridge. Big Ben struck 10pm and we took in the scenery around us, for it was our last night in London, before heading for the underground to Paddington.

We bade goodbye to Westminster and the scenic coloured lights of the Thames water­front.

After getting up at 8am we had the usual continental breakfast, and started from Paddington to Charing-cross, and eventually to Trafalgar Square, where we strolled and took snapshots of the out-sized British lions. We proceeded further towards Picadilly Circus and photographed the statues of Florence Nightingale and lots of other British motifs with pigeons shitting on their heads nonchalantly as usual.

What a romantic setting, with all those monumental buildings and cosmopolitan atmo­sphere, I thought. A coloured Bobby chatting and walking with a white colleague was keeping an eye on Picadilly's streets. I had to admit, I liked the idea and had to think of Freiburg in south west Germany, actually a provincial area, and rather conservative.

It would be impossible to have an Asian driving a Strassenbahn or an Asian working as a teacher with a civil-servant status, or even in the police department. But then, Germany didn't have colonies in Asia, and only in south-west Africa (Namibia), and as such no German Commonwealth. What with the kids of the GIs, and guest workers growing up in Germany, the influx of refugees from the whole world, including the boat-people of Vietnam, Bosnia and Croatia, ethnic Russians from Russia, Poland, former Czechoslovakia, Slovaks from Slovenia, Romanians, Albanians from Albania and Kosovo coming in, Germany is under Angelika Merkel trying to terms with its foreigners and grant them their rights like the rest of the Germans. In the past the migrants were only tolerated, but now Merkel's Christian Democratic Party (CDU) has brought out an integration program and she means business. The multicultural society is in their midst, even though most Germans fail to see it.

At Paddington I had to exchange another fifty euros at a bank counter. There was an Asian female behind the counter, and so I asked her where she originally came from. She felt uncomfortable, like when she was asked by an Indian scientist at the Goethe Institute in Freiburg, ‘Which-kuntry-are-you-from?’ The swarthy woman with fine features replied in a melodious voice, "Sri Lanka."

"How's the job?" I asked her.

"Oh, it's all right", she said without any enthusiasm.

We bought some sandwiches for the long wait at Gattwick airport and also because we thought about the not-so-good food in the air. The flight was at 16:35 and we'd already checked-out from our hotel. There were lots of young people waiting for the bus to Gattwick.

I left London with pleasant memories. I'd seen London by night and by day, by rain, mist and sunshine. The Londoners, be they commuters, conductors, policemen, beef-eaters, yeomen, bobbies and pedestrians had all been extremely polite and helpful.

As you went collecting the passengers for the flight to Düsseldorf and Frankfurt, you could see restaurants with names like: 'The Magic Wok', 'Marco Polo's Mongolian Barbecue,' followed by 'Flats to Let'.

The present generation of Britain travels a lot abroad and there are enough immigrants from all over the world, and predominantly from the old colonies who cater to the gastrono­mic delights of the British. The British export tikka masala chicken to India now.

"Run For Your Wife" was running at the Duchess Theatre, described as 'dottily hilarious' to 'superbly demented.'

Claudia and I arrived in Kensington Gardens. Collecting the baggage was indeed a tedious affair.

There was an interesting newscast by the BBC on the role of the British forces in Iraque. According to the Christian concept, wars are not just, but some wars are justified. Jewish opinion is divided, it was stated. A war waged in self-defence is only justified according to it. Is it justified to increase one's military field of influence, as in the case of the USA because of oil interests?

We were in Gattwick by then and ready for the check-in. I showed my passport to a young lady in uniform probably of Indian descent, who asked where my next stop would be.

"Frankfurt,", I replied. And she wished me 'a good journey' and all that jazz (hope you'll visit our country again).

It was 17:15pm when we went through customs and it was the same show as before. The detector gave a beep and I was obliged to open my handbag and dismantle my camera again.

The customs officer wanted to know what I had in the sealed round tin-box.

"It's purified butter: ghee", I told him.

"Gee, that must be good," he replied with a grin and went to the next passenger. A customs officer with a jolly sense of humour indeed.

We boarded the scarlet jet and were off. At 11,000metres We were flying over wonderful fluffy clouds. Their short flight dinner was over and We were at a height of 29,000 feet. As high as Mount Everest.

You could see the sundown: a blazing orange above the clouds, which became the horizon and suddenly the sun was obscured and We passed through heavy grey clouds, and it gradually became dark outside. The 'fasten-your-seat-belts' sign appeared and I could feel a mounting pressure in her ears. The flight back to Frankfurt was nevertheless pleasant in comparison to the flight to Gattwick.

"10,000 feet and landing in 10 minutes", said the captain. You could see only a few lights below. Was it a football field or was it a well-lit winter garden?

And suddenly the lights of Frankfurt appeared below.

"Cabin crew, take your seats for the landing, please", said the captain again.

We went past the sky-blue uniformed stewardesses and entered the Frankfurt-am-Main terminal and went through the German customs. There was a long queue in the 'non-EG' section. A cultural troupe from Ethopia or Somalia dressed in white tunics stood up front, mostly children, led by a few elderly people and a blonde manager, who was similarly dressed. The kids had crude ethnological musical instruments in their hands.
One of the Bundesgrenzschutz guards responsible for security at the airport asked his German colleague jokingly in German,"Are those all your kids?"

The young teutonic guard didn't like the joke, gave a laconic smile and changed the position of his Sturmgewehr, made in Oberndorf, a Swabian town near Rottweil, by Heckler & Koch (now a British firm).

I gave the khaki-clad customs officer her passport, who scrutinized it briefly and handed it back. She walked outside with her handbag to collect the main luggage which was somewhere in exit 415. Claudia and I were separated (different check-ins and exist) because I had an Asian passport and Claudia had a European one. It was a case of the Third World and the First World.