Welcome to Contemporary Writings by Satis Shroff (Freiburg)

Hi Everybody! Writing is something wonderful, whether you write poems or prose (short-stories, fiction, non-fiction) and it's great to express yourself and let the reader delve into your writings and share the emotions that you have experienced through the use of verbs, the muscles of a story, as my Creative Writing Prof Bruce Dobler at the University of Freiburg, Germany) used to say. I'd like to share my Contemporary Writings with YOU! Happy reading.

Sincerely,

Satis Shroff

Wednesday, September 2, 2009

Vincent van Gogh: BEAUTY IS EVERYWHERE (Satis Shroff)



(c)Art by satisshroff, A homage to van Gogh
VAN GOGH: BETWEEN HEAVEN AND EARTH (Satis Shroff, Freiburg-Kappel)

If you love Nature truly,
you’ll find it beautiful everywhere
(Vincent van Gogh)

If you want to see Vincent van Gogh’s landscape paintings then Basle (Switzerland) is the place to go. The Kunstmuseum Basel has the world’s first showing of the landscape paintings, although in autumn-winter 2008-09 there was a major exhibition at Vienna’s Albertina on van Gogh’s paintings and drawings with 150 of the artist’s works, and his expressive use of the of the brush, prior to which the artist had done strong drawings with all the details. They were then coloured in his own distinctive way. The Harvest in Provence in oil was first drawn with brown and graphite sticks.

Vincent van Gogh was one of the most productive artists. He painted 900 pictures and 1100 drawings and sketches on paper. He decided to be an artist when he was 27 years old. Ernest Hemingway and van Gogh have one thing in common: both used a gun to end their lives. Van Gogh lived only 37 years. He followed his brother Theo’s advice and went to live in Auvers near Paris, where he was medically treated by Dr. Paul Gachet, a neurologist with a penchant for art. Prior to that he had psychic disturbances and cut his ear, had himself treated at the hospital in Arles, and since 1889 moved to the psychiatric home at Saint Remy.

Van Gogh was born in 1853 in Holland’s Groot-Zundert, and his father was a Protestant preacher. He was influenced by the countryside environment. He felt a deep love for Nature and also nostalgia for his village. He didn’t have a good time at school and as a result he began working in the Art and Graphic business Groupik & Cie. Since he wasn’t motivated in his job, he was fired and worked as a teacher and assistant preacher in England. But the University rejected his theological ambitions.

After a crisis in the family his brother Theo recommended him to become an artist. Vincent van Gogh started learning to draw and paint the hard way as an autodidact. Good news for people who want to do it on their own. He loved to paint dark landscapes and farmers during their working hours. He got closer to a woman, who used to sew clothes and occasionally engaged in the oldest profession in the world. Her name was Sien but the relationship ended after one and a half years.

Vincent van Gogh wanted to understand the contemporary art Impressionism, so he went to Paris in 1886. It was Paul Gauguin, Emile Bernard, Paul Signac and the bright outdoor paintings of the Impressionists that brought a great change in van Gogh’s paintings. He started using brighter colours and the city and the countryside became his motifs: gardens, parks, fields, olive groves and yineyards. The outcome was wonderful paintings daubed in yellows, blues, greens. He was on his way to discover his own artistic language.

The Basler exhibition is a reconstruction of van Gogh’s cycles of Nature and forms, with which he experimented, that are to be seen in the expositions. Van Gogh celebrated the uniqueness and glory of creation, and his deep bond with Nature are revealed in his outstanding works. I love the cypresses tat appear in van Gogh’s paintings and the theme of the cycles of Nature. About his fascination for Cypresses, Vincent van Gogh said this:
‘The cypresses are in my mind again and again. It’s strange that no one has painted them, the way I see them. In the lines and proportions they’re as beautiful as an Egyptian obelisk. And the green has a such s fine tone. It is the dark spec on a sun basked landscape, but it’s one of the most interesting black tones, and I can’t think of anything that’s more difficult to paint.’

Even though he had psychic problems, he painted pictures that were reassuring with warm colours that create joy and optimism, if not exhilaration in the eyes of the viewer, friend, art-lover, connoisseur. How right he was when he said: ‘Art is man plus nature. The art historian Julius Meier-Graefe wrote his story of a seeker of God to help build a legend about Vincent van Gogh in1921. Irving Stone’s book ‘Lust for Life’ (1934) was filmed by Vincent Minelli in 1956. Don McLean’s song ‘Vincent’ is a wonderful homage to van Gogh’s painting ‘starry night’ in which the painter is depicted as a misunderstood, suffering soul who was too good for this world. The lyric goes:
Now I understand,
What you’re trying to say
To me.

Even though van Gogh did a lot of landscapes, for him art wasn’t imitating nature. It was the feelings and thoughts evoked by nature that an artist brings to the canvas. It isn’t perspective or anatomy that’s relevant but the authenticity of one’s artistic expression. Van Gogh did it personally with strong colour lines and drawings, making his works of art an expression of his inner feelings and of nature that he adored. Van Gogh’s essential period of work lasted only intensive years which were made eternal by his contemporaries. Like van Gogh aptly said: ‘Some people have a big fire in their soul, and nobody comes to warm himself or herself in it.’
© Copyright 2009 by Satis Shroff

About the Author:

Satis Shroff is a prolific writer and teaches Creative Writing at the Albert Ludwig University of Freiburg. http://www.zfs.uni-freiburg.de/zfs/dozent/lehrbeauftragte4/index_html/#shroff. He is a lecturer, poet and writer and the published author of five books: Im Schatten des Himalaya (book of poems in German), Through Nepalese Eyes (travelogue), Katmandu, Katmandu (poetry and prose anthology by Nepalese authors, edited by Satis Shroff), and two language books on the Nepalese language for DSE (Deutsche Stiftung für Entwicklungsdienst) & Horlemannverlag. He has written three feature articles in the Munich-based Nelles Verlag’s ‘Nepal’ on the Himalayan Kingdom’s Gurkhas, sacred mountains and Nepalese symbols and on Hinduism in ‘Nepal: Myths & Realities (Book Faith India) and his poem ‘Mental Molotovs’ was published in epd-Entwicklungsdienst (Frankfurt). His lyrical works have been published in literary poetry sites: Slow Trains, International Zeitschrift, World Poetry Society (WPS), New Writing North, Muses Review, The Megaphone, Pen Himalaya, Interpoetry. He is a member of “Writers of Peace,” poets, essayists, novelists (PEN), World Poetry Society (WPS) and The Asian Writer.

Satis Shroff is based in Freiburg (poems, fiction, non-fiction) and also writes on ecological, ethno-medical, culture-ethnological themes. He has studied Zoology and Botany in Nepal, Medicine and Social Sciences in Germany and Creative Writing in Freiburg and the United Kingdom. He describes himself as a mediator between western and eastern cultures and sees his future as a writer and poet. Since literature is one of the most important means of cross-cultural learning, he is dedicated to promoting and creating awareness for Creative Writing and transcultural togetherness in his writings, and in preserving an attitude of Miteinander in this world. He lectures in Basle (Switzerland) and in Germany at the Academy for Medical Professions (University Klinikum Freiburg) and the Center for Key Qualifications (University of Freiburg, where he is a Lehrbeauftragter for Creative Writing). Satis Shroff was awarded the German Academic Exchange Prize.

What others have said about the author:
„Die Schilderungen von Satis Shroff in ‘Through Nepalese Eyes’ sind faszinierend und geben uns die Möglichkeit, unsere Welt mit neuen Augen zu sehen.“ (Alice Grünfelder von Unionsverlag / Limmat Verlag, Zürich).

Satis Shroff writes with intelligence, wit and grace. (Bruce Dobler, Associate Professor in Creative Writing MFA, University of Iowa).

‘Satis Shroff writes political poetry, about the war in Nepal, the sad fate of the Nepalese people, the emergence of neo-fascism in Germany. His bicultural perspective makes his poems rich, full of awe and at the same time heartbreakingly sad. I writing ‘home,’ he not only returns to his country of origin time and again, he also carries the fate of his people to readers in the West, and his task of writing thus is also a very important one in political terms. His true gift is to invent Nepalese metaphors and make them accessible to the West through his poetry.’ (Sandra Sigel, Writer, Germany).

“I was extremely delighted with Satis Shroff’s work. Many people write poetry for years and never obtain the level of artistry that is present in his work. He is an elite poet with an undying passion for poetry.” Nigel Hillary, Publisher, Poetry Division - Noble House U.K.

© Copyright 2009 by Satis Shroff. You may republish this article online provided you keep the byline, the author's note, and the active hyperlinks.